1947 Born Greymouth 1 June, dual British/New Zealand
citizenship.
Parents Tui and Ed Preston
Middle of three children, brother Edward (6 years
older) and sister Jan (4 years younger). At three
years old,
Gaylene, performed a recitation at the Karoro Sunday
School concert (the most loudly applauded).
Ten year old GP and her six year old sister, Jan,
won prizes in annual competitions in Oamaru, Greymouth
and Ashburton, performing elocutionary items and
songs.
GP
secured first placing in the10-years and under
elocution section at the Oamaru competition (1st
in test, own
selection, light verse and humorous divisions);
she was also awarded
the Oamaru Competitition Society’s 10-years-and-under
scholarship as well as bringing the North Otago
Pipe Band Supporters Cup back to Greymouth.
1957 Family moved to Napier. GP won the Piano under
12 competition at the Napier Competition Society’s
annual Easter festival, and the Piano duet under
12 (with Peter Walls) came 2nd in Vocal solo and
accompanist under
14 (with Wendy Rieper) Reading at sight under 12,
3rd equal Recital in costume. (undated newspaper
clipping
GP archives)
GP was a successful candidate (Grade 1, with distinction
and Grade 8) in the theory examinations for the Royal
Schools of Music.
1960-65 Attended Colenso High School, Napier
University Entrance
Higher School Certificate
Fine Arts Prelim
Royal School of Music Grade VIII
Always involved in drama and music. “The high point” was
playing Lisa in Colenso High School Production of Pygmalion
Performed piano solo, as did sister Jan, at the Napier
Youth Orchestra concert.
Performed in a New Zealand play The Season That Was Yesterday
by Terry Coyle staged by the Napier Repertory Players.
Aubrey, K “Arcdeaconry of Mawhera” (1950)
The Witness 1 December 10
Gaylene Preston Curriculum Vitae [“A”] n.d.
(ends 1981)
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
“
Gaylene Preston to the Fore in Competitions” (GP’s
own archive)
“
Hard of Hearing League” (GP’s own archive)
Preston, G [Narrative] Self-pencilled 10pp document
(ends 1978)
“
Royal Schools of Music Examinations” (GP’s
own archive)
“
Royal Schools of Music examination” (1956) December
(GP’s own archive)
Shepard, Deborah Writing a Woman Film Maker’s Life
and Work: A Biofilmography of Gaylene Preston MA Thesis
University of Auckland, 1992 (Chapter 1)
“
The Cast” (1965) The Daily Telegraph 2 October
np
“
Youth Orchestra to Give Concert” (1965) The Daily
Telegraph 30 September np
1965 Left home.WORK / EDUCATION.
1966-1968
Painting course Ilam School of Fine Arts, University
of Canterbury. Teachers were Rudi Gopas and Bill Sutton.
Did not graduate at end of third year.
Performed in the University drama Johnny So Long.with
Shirley Grace McGregor. Directed by Brian de Ridder.
Gaylene Preston Curriculum Vitae [“A”] n.d.
(ends 1981)
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
S, P.R “Impact of Student Play” (GP’s
own archive)
Preston, G [Narrative] Self-penciled 10pp document (ends
1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston MA Thesis University
of Auckland, 1992 (Chapter 1)
Married Andy Dennis, post-graduate law student.WORK/
EDUCATION
Calvary Psychiatric Day Hospital, Christchurch. Introduced
to art therapy.REFERENCES
Gaylene Preston Curriculum Vitae [“A”] n.d.
(ends 1981)
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
Preston, G [Narrative] Self-penciled 10pp document (ends
1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston MA Thesis University
of Auckland, 1992 (Chapter 1)
Travelled to Cambridge, England with Andy Dennis, who
had a scholarship to study Icelandic Law at Gonville
and Caius College, arriving September.
Became member of Whole Earth, an experimental theatre
group performing at the Cambridge A.D.C. Met Nick Kavanagh,
an undergraduate designer and cartoonist who taught
GP to cartoon.
Became involved in the Cambridge women’s collective “Scarlet
Women”.
Worked jobs, such as waitressing, and eventually became
the assistant librarian at the local psychiatric hospital,
Fulbourn.
Gaylene Preston Curriculum Vitae [“A”] n.d.
(ends 1981)
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
Preston, G [Narrative] Self-penciled 10pp document
(ends 1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston MA Thesis University
of Auckland, 1992 (Chapter 1)
Life drawing teacher Cambridge University’s Gonville
and Caius College
Assistant librarian, Fulbourn Hospital, Cambridge, becoming
involved with drama therapy, and remedial reading.
Cartoonist
for Scarlet Women’ s Bloody Women magazine,
Spare Rib and Nalgo Action News. Member of Red Stockings
sub group of Scarlet Women
Screen prints for Hot Grunt, her poster and t-shirt printing
company, producing about 250 short run screen printed
posters over a three year period.
Bryan, L “Quietly Observing” (1983) New Zealand
Listener 22 January 16
Gaylene Preston Curriculum Vitae [“A”] n.d.
(ends 1981)
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
Gaylene Preston Curriculum Vitae [“C”] 1994
Preston, G [Narrative] Self-penciled 10pp document (ends
1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston MA Thesis University
of Auckland, 1992 (Chapter 1)
Lived at 29 Pretoria Road with Andy Dennis and several
Cambridge University undergraduates.
Made first film The Animals and the Lawn Mower, developed
out of drama therapy work at Fulbourn Hospital.
Gaylene Preston Curriculum Vitae [“A”] n.d.
(ends 1981)
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
New Zealand Film Makers at the Auckland City Art Gallery;
A Series Devised by Roger Horrocks: 5 Gaylene Preston
Auckland City Art Gallery, 1984
Preston, G [Narrative] Self-penciled 10pp document (ends
1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston MA Thesis University
of Auckland, 1992 (Chapter 1)
Marriage ended.
Fulbourn Hospital.
Gained a study grant from the Cambridge local authority
and a one year Diploma in Art Therapy St Albans School
of Fine Arts, London. Disliked the course intensely
but was happy to have the opportunity to work with
Peter
Adamson (grand old man of British Art therapy). While
on the course Gaylene conducted a six-week pilot study
on art therapy at Grendon Underwood Prison in Oxfordshire.
Belonged to London Women’s Film Group, intermittently
1973-4; and contributed cartoons to Spare Rib and Nalgo
Action News. Member of collective and cartoonist for
Case Con, a bi-monthly magazine for radical social workers,
with Liz McKie and Nick Kavanagh.
Gaylene Preston Curriculum Vitae [“A”] n.d.
(ends 1981)
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
New Zealand Film Makers at the Auckland City Art Gallery;
A Series Devised by Roger Horrocks: 5 Gaylene Preston
Auckland City Art Gallery, 1984
Preston, G [Narrative] Self-penciled 10pp document
(ends 1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston MA Thesis University
of Auckland, 1992 (Chapter 1)
Moved to 17 Stockwell Park Crescent London, lived with
Nick Kavanagh, RachelNewling, Stephen Ginsbourg, George
(later ‘Deverage’ – personal physician
to Bagwan Rash Neesh), Vicky meadows, Mandy. Spent
6 weeks back in New Zealand over Chrsitmas/New Year.
Draw Me a Circle, developed from part-time work as
art therapist at Cell Barnes Hospital St Albans
Pilot study for the Inner London Education Authority
on art therapy with severely disabled people, Goldie
Leigh Hospital, South London
National Vice President British Association of Art
Therapists (until 1976).
Gaylene Preston Curriculum Vitae [“A”]
n.d. (ends 1981)
Gaylene Preston Curriculum Vitae [“B”]
n.d. (ends 1983)
Gaylene Preston Curriculum Vitae [“C”]
1994
Preston, G [Narrative] Self-penciled 10pp document
(ends 1978)
Shepard, D Writing a Woman Film Maker’s Life
and Work: A Biofilmography of Gaylene Preston MA Thesis
University of Auckland, 1992 (Chapter 1)
Remedial experimental drama with deaf, Brixton College
of Further Education. Mojak Kojak the end product.
Part-time work at St Giles Psychiatric Day Hospital
(attached to Maudsley Hospital South London).
Cartoons for Case Con, Spare Rib, Nalgo Action News.
New Zealand Film Makers at the Auckland City Art Gallery;
A Series Devised by Roger Horrocks: 5 Gaylene Preston
Auckland City Art Gallery, 1984
Preston, G [Narrative] Self-penciled 10pp document
(ends 1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston MA Thesis University
of Auckland, 1992 (Chapter 1)
Homesick, GP returned to New Zealand, December “with
a suitcase and $420”,
via Malaysia.
Creeps on the Crescent – home movie
Remedial drama with deaf, Brixton College of Education.
Course on “Institutions and Their Effect on Disability” for
local authority trainee house parents, integrating art
and drama therapy.
‘
O’ level art and elective drama with several West
Indian groups, Brixton College of Education.
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
New Zealand Film Makers at the Auckland City Art Gallery;
A Series Devised by Roger Horrocks: 5 Gaylene Preston
Auckland City Art Gallery, 1984
Preston, G [Narrative] Self-penciled 10pp document (ends
1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992 (Chapter 1)
Spent 6 weeks at Pakiri with Shirley Grace and family
while her husband William Gruar was away on location
with Geoff Murphy, shooting Dagg Day Afternoon.
Met Alun Bollinger.
Moved from Auckland to Wellington – stayed with
sister Jan, Martin Edmond and Ross Somerville in Kelburn
Parade.
Took photos of Red Mole cabaret.
Moved to a room in Oriental Terrace with Julie Grenfell.
Latter part of year housesat for Jennifer Shennan and
Alan Thomas in Roseneath.
Took several hundred colour slides over about three
months
Made Whose School? Beresford Street Primary School
video about parent classes being taught alongside primary
school
activities, commissioned by WEA
Art director, Pacific Films, for six months, and Pacific
Films’ first woman director
Director two films for “Shoreline” series
Toheroamania
Dat’s Show Biz
Made redundant, earned living doing cartoons, art directing
and taking theatre photographs. Whenever possible did
free-lance graphic work for John O’Shea
Cartoons
Advance (Cleaners Union magazine)
Paper Clip
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
New Zealand Film Makers at the Auckland City Art Gallery;
A Series Devised by Roger Horrocks: 5 Gaylene Preston
Auckland City Art Gallery, 1984
Preston, G [Narrative] Self-pencilled 10pp document (ends
1978)
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992 (Chapter 2)
Lived at 41 Epuni Street, 5 Kelvin Grove
Alternate board member New Zealand Film Commission (until
1985: resigned over a policy issue).
Water the Way You Want It – third film in “Shoreline” series
All The Way Up There – director and co-producer
Art director and set dresser for John Reid’s film
of Roger Hall’s Middle Age Spread
Theatre photographer Circa and Downstage; and for theatre
group Red Mole
Animation
Toheroamania (also director)
Dell King’s geophysical item (semi-animation)
Graphics
Barry Barclay’s Autumn Fires and Aku Mahi Whatu
Maori about Rangimarie Hetet
Warrick Attewell’s A Nice Sort of Day
Pacific’s Production Cows, Computers and Customers
Bill Hopper’s Ocean Frontiers
Valhalla Films’ letterhead and logo
Pacific Films’ letterhead and logo (still in use
1992)
New Zealand Film Commission cabbage trees logo for
letterhead and compliments card, turned down by the
Commission and
then used by Kiwi Films
Cartoons
Shop Employees Union
Game
Shop Employees Union: The Claim Game, a different kind
of snakes and ladders
Cover
Paper Clip
Pamphlet
Cleaners Union (Unemployment)
Comic strip
WONAAC – became a poster in their campaign against
restrictive abortion laws
Portraits
Actors’ portfolios: Sam Neill, Fay Tilley, Grant
Tilley
Drama school students
Cover Price Milburn edition Middle Age Spread
Night cleaners for Advance
Stills
Pigland Prophet – Circa
Going to Djabuti - Red Mole
“
A Season’s Diaries” Landfall March
Conceptual art piece
Polaroid wall Cabbage Patch Festival: 500 polaroid
portraits of passersby, on the old site of Dukes Hotel,
corner
of manners and Willie Street, Wellington
Slides
Audiovisual on Women in Trades Unions for the Committee
on Women
Sign and posters
For local band RockingHorse
Advertising billboard
For Wellington craft shop Textures
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)
Gaylene Preston Curriculum Vitae [“C”] 1994
[“Artist Gayleen (sic) Preston…playing the
new Claim Game”] nd np (GP’s own archive)
New Zealand Film Makers at the Auckland City Art
Gallery; A Series Devised by Roger Horrocks: 5 Gaylene
Preston
(1984)Auckland City Art Gallery
Preston, G [Narrative] Self-penciled 10pp document
(ends 1978)
Shepard, D Writing a Woman Film Maker’s Life
and Work: A Biofilmography of Gaylene Preston (1992)
MA Thesis
University of Auckland
Lived with Barry Saunders at 5 Kelvin Grove.
Bought 26 Roxburgh Street Mount Victoria Wellington
with Barry Saunders.
All The Way Up There – director and co-producer
Yesterday & Tomorrow Today (dir Dave Gibson) – stills
photographer
Gaylene Preston Curriculum Vitae [“B”] n.d.
(ends 1983)New Zealand Film Makers at the Auckland City
Art Gallery; A Series Devised by Roger Horrocks: 5 Gaylene
Preston Auckland City Art Gallery, 1984
Shepard, D Writing a Woman Film Maker’s Life
and Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992.
Renovated Roxburgh Street.
Won a special jury prize, ‘Special Human Achievement
Award’, specifically created and awarded for the
first time at the Banff Festival of Mountain Films for
the film “All the Way Up There”.
Awarded another special prize for the film “All
the Way Up There” (awarded for the first time)
at the Festival International du Film Alpine, Les Diablerets.
Encyclopedia Britannica brought the film “All the
Way Up There” for distribution in the U.S.A., Canada
and South America.
Art Director – The Monster’s Christmas, produced
by Gibson Films, directed by Yvonne Mackay.
Director/Producer - Learning Fast documentary, shot over
nine months at Makora College, Masterton.
Script for Hold Up with Michael Noonan.
“
Film on Disabled Earns Award” nd np (GP’s
own archive)
Preston, G McVay Street (1980) NZFA Ref: F60823
New Zealand Film Makers at the Auckland City Art Gallery;
A Series Devised by Roger Horrocks: 5 Gaylene Preston
Auckland City Art Gallery, 1984
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992
Split from Barry Saunders.
Hold Up won a string of awards, including first prize
in the Rehabilitation International World congress
awards in Lisbon.
Hold Up voted best overseas film
by the Australian Teachers of Media.
Hold Up second in the New York International Rehab
Film Festival (a 70-80 nation event of films showing
disabled
people in society).
Producer and director Learning Fast – documentary
Director and co-scriptwriter Hold Up – docudrama
Producer/director/writer How I Threw Art Out the Window – experimental
video for Women’s Gallery Wellington
One of three co-ordinators and camera operator – Merata
Mita’s Patu!
Bryan, L “Trying To Communicate” Listener
nd np (GP’s own archive)
New Zealand Film Makers at the Auckland City Art
Gallery; A Series Devised by Roger Horrocks: 5
Gaylene Preston
Auckland City Art Gallery, 1984
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992
“
Gaylene Preston Wins Two Awards” nd np (GP’s
own archive)
Met Jonathan Crayford.
Making Utu – documentary about the making of Geoff
Murphy’s Utu.
Taking Over – co-produced and co-directed with
Dell King.
Chair Queen Elizabeth II Arts Council Creative Film and
Video Fund (until 1985).
Gaylene Preston Curriculum Vitae [“C”] 1994
Bryan, L “Quietly Observing” (1983) NZ Listener
22 January
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992 78-81, 95-114 (discussion)
Began living with composer Jonathan Crayford.
Travelled for the first time to Cannes to research
the market and sell her films. “everyone was buying
in bulk, and I had a bag with one liquorice allsort,
one mintie, and a jube in it.” (McLean (1985)
Formed working partnership with Robin Laing.
Received a $5000 Queen Elizabeth II Art Council grant
to make a series of experimental videotapes.
Chair Creative Film Fund (until 1986).
The Only One You Need short music film for The Neighbours.
Angel of the Junk Heap – music clip for Sydney
based group Tribe.
Scripting Mr Wrong
“
Film-Maker Wins $5000 Grant” (1983) The Dominion
6 January 1
Preston, G Gruars and Their Friends At Pakiri (1983)
9 January NZFA Ref: F60824
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992
Aspects of Utu – commissioned educational video
for Scrubbs & Co with Geoff Murphy. Edited by
the producers.
Imagine – documentary about anti-nuclear campaigner
Helen Caldicott’s visit to New Zealand.
Mindout - educational video for schools.
Mr Wrong – feature film.
Executive Member New Zealand Producers and Directors
Guild (until 1985).
Benjamin, J and Maclean, A “Revolving Clothelsines
and Morris Minors” (1983/84) Alternative Cinema
Summer 21-27
Davis, S Maclean A and Todd H “She Through He:
Images of Women in new Zealand Feature Films” Alternative
Cinema 1983/84 np
Getwin, S “Electronic Age Puts Magic in the Picture” (1984)
Evening Post 16 February
Gaylene Preston Curriculum Vitae [“C”] 1994
Green, P and Cole J “Women’s Film, Television
and Video Forum: department of Cont Education Auckland
University Queens Birthday Weekend” (1988) Broadsheet
161 September 34-38 especially report of Gaylene’s
own workshop “What’s a nice girl like me
doing in a place like this: power, politics and film-making”
May, S “Genre Bending” (1985) OnFilm 24 April
np (GP’s own archive)
New Zealand Film Makers at the Auckland City Art
Gallery; A Series Devised by Roger Horrocks: 5
Gaylene Preston
(1984) Auckland City Art Gallery
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston (1992) MA Thesis
University of Auckland
Mr Wrong showed at the Cannes Film Festival.
Distributed Mr Wrong in Wellington, helped with
New Zealand theatrical distribution.
Preston*Laing Productions formed, from GP’s and
Robin Laing’s original Mr Wrong Production Company.
GP and Robin Laing hired out the Paramount Theatre
(Courtney Place, Wellington) to prove that the
claims of “big
cinema chains” that the film, Mr Wrong, was uncommercial,
were wrong.
Began work on four part television adaptation
of Sonja Davies autobiography Bread and Roses
with
script writer
Graeme Tetley
Approached Amalgamated after its decision to
close two Queen Street cinemas.
“
Preston…hopes to make a film on Courtenay Place
before its inevitable demise…”I paddle a
small canoe and am not about to join somebody else’s
Titanic.” – Wellington City Magazine
“
Making films is a bit like being addicted to heroin – it’s
a very expensive habit, and it is seductive…there’s
something really addictive about capturing reality on
moving film and then taking it into an editing room and
mucking about with it. Somehow, in the end, I’m
hooked.” – Dazzle
Beesley, M “Cinemas Close the Door on Kiwi Films” (1985)
8 O’Clock 21 September 7
Dunn, Liz “The Mr Right Myth Takes a Beating” (1985)
Dominion 14 September
“
Fifty Wellingtonians Who Made A Difference in 1985” (1985/1986)
Wellington City Magazine December/January 40, 52
Hall, S “Strokes and Art Attacks” (1985)
Broadsheet September 132 51-53
McLean, J “Mucking about with Movies” (1985)
Dazzle October/ November n2 5-6
Preston, G “What I’d Watch” (1985)
New Zealand Listener 6 July 84.
Preston, G “Claude’s Circus: A Modern Story
of Film Land in Three Parts” (1985/86) Alternative
Cinema Spring/Summer 7-8 * Gaylene I think you should
put a copy of this on your website, still VERY relevant
Shepard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston. MA Thesis
University of Auckland, 1992
Zanker, R “Sagas, Dramas and Vignettes” (1988)
The Press 4 May 19
Pregnant with first child.
Attended film festivals including women’s film
festival in Creteil, France. Travelled to New York to
support U.S.A. release of Mr Wrong.
Mr Wrong included in “Kiwi Kino; A Tribute to New
Zealand Cinema”, a programme organised by the Australian
Films Institute and shown in five major Australian cities.
Mr Wrong Finalist at the 1986 National Mutual
Gofta Awards in the categories: best adaptation,
best
director, best
editing, best film, best performance-female,
best performance-female in a supporting role
and best
production design.
Ruby and Rata – script development.
Commercials for Telecom, winner of two silver
plaques at the Chicago Film Festival; and New
Zealand Railways.
One week video workshop for work skills programme,
Parihaka, Taranaki, with Eruera Nia.
Coke, M “Low Budget High Profile” (1986)
Onfilm (June) 3(4) 17-18
Horrocks, S dir. “Patterns For The Future: New
Zealand Women Managers” (1986) Point Of View Productions
“
Hot Friday, Hanlon Top Finalists” (1986) The Evening
Post 8 May 20
Seton, J Reading Against the Grain; A Feminist Analysis
of Four New Zealand Films (1986) * Wellington (Analysis
of Mr Wrong)
Shephard, D Writing a Woman Film Maker’s Life and
Work: A Biofilmography of Gaylene Preston (1992). MA
Thesis University of Auckland
Whelan, B “Live From Wellington- NZ’s own
TV Awards” (1986) The Hawke’s Bay Herald-Tribune
11 June 36
Daughter Chelsie Florence Preston Crayford born.
Sold 26 Roxburgh Street and bought 20 Earls Terrace Mount
Victoria Wellington where she lived with Jonathan Crayford
and Chelsie.WORK
Produced and directed a documentary for Thames Television
(UK) on Booker prize-winning novelist Keri Hulme, Kai
Purakau/ The Storyteller
Directed commercials for Partners. Cheese commercial
finalist Goftas in Best Commercial category.
Kaleidoscope NZ Cinema: The Past Decade (1987) TVNZ 8
May NZFA Ref: F53748
Morris, M “High Praise For Colenso” (1993)
Screenplay consultant for Tama Poata and Pat Robins,
O’Reilly’s Luck (NZFA Ref: F22884)
Scripting Ruby and Rata.
Commercials for Partners.
The New Zealand Cinema (1988) BBC radio programme NZFA
Ref: A0087
Producers and Directors Guild Executive (until 1993).
Moved to Auckland in August with Chelsie, later joined
by Jonathan. Lived at 14 Bright Street Eden Terrace.
Began work on War Stories.
Ruby and Rata in pre-production.
Occasional voiceover work for John Ansell (advertising).
Hardy, A “Tales of Ordinary Goodness” (1989)
Illusions November 14-21
Laing, R “Angel Flies, Ruby Shines” (1990)
Onfilm November 1
Preston*Laing moved into office in Majoribanks Street
Mount Victoria Wellington
Ruby and Rata received Finalist awards under the
film, best actor in a female role and director categories
at the New Zealand Film and Television Awards. Received
awards for best actor (Lee Mete Kingi), best editing,
best film score (Jonathan Crayford) and best contribution
to a soundtrack.
Ruby and Rata topped the kiwi box office in the first
week of its N.Z cinema release Oct 4 grossing an
average $11,000 across six screens. It was the first
time for
some years that a domestically produced feature had
been right up there with the best from Hollywood.
On five
screens, its first two weeks grossed over $100,000,
making it NZ’s first biggest grossing theatrical release
for two consecutive weeks. Its Auckland figures increased
during the second week-a most unusual event. After six
weeks, with six prints, the film’s box office gross
exceeded $230,000.
Filmstar, an American company, acquired world sales
rights to the Ruby and Rata, excluding North America,
Germany,
Australia and New Zealand.
Ruby and Rata selected for the 1990 Montreal, Toronto,
Hawaii and London Film Festivals.
Completed Ruby & Rata (shot in Auckland), achieved
no 1 at the Box Office in its first week of theatrical
release; took Ruby & Rata to Cannes (fully financed
by the New Zealand Film Commission). While at Cannes
Robin Laing also promoted the Bread and Roses mini series
project she and Preston were developing with Dorothee
Pinfold of Pinflicks.
GP attended Ruby and Rata’s international festival
premiere at Toronto (where it sold out faster than any
other film; as a result festival programmers scheduled
another screening, the film received two ovations) Film
Festivals. Selected in the top 10 films at Toronto (audience
popular vote) It was then seen in the Film Festival.
Ruby and Rata was also selected for the Haifa and
for the annual Indian Film Festivals. Before Munich
it
screened in Paris in the Creteil Women’s Film Festival.
Binsley, J and Moore, L “Full-on Film Fortnight” (1990)
Auckland City Harbour News 12 July np
Calder, P “Canadian Sale, A.F.M. Screenings” nd
NZfilm 4-5
“
Congratulations” (1991) NZfilm n42 February (back
page)
Drinnan, J “Eight-Year-Old Lee Wins Top New Zealand
Film Award” (1990) The Dominion 3 November 1
Dunphy, L “Screen Sirens” (1990) More 46-50
“
Frame Film Scoops Awards” (1990) The Evening Post
3 November 3
Gascoigne, D “Good Times For Movies” (1990)
The Dominion Sunday Times 30 September 8
“
Interview With Gaylene Preston” (1990) Emit November
19-20
McLeod, M “Robin Laing: Passion For New Zealand
Films” (1990) New Idea 24 November 18-19
“
New Zealand Film Makers at Cannes” (1990) 60 Minutes
May
“
NZ Film Charms Canadians” (1990) The Dominion 17
September np
Nicolaidi, M “Locals Flock to ‘Ruby and Rata’ in
New Zealand” (1990) International 15 October np
“
Ruby and Rata Among Screenings” (1990) The Press
7 August 27
Shelton, L “Yanks Take R & R” (GP’s
own archive)
Wakefield, P “Doing No Wrong With Ruby” (1990)
Evening Post 29 September 28
Wakefield, P “Down Home Up Market” nd Onfilm
16
Women’s Companion to International Film (1990)
ed A Kuhn with S Radstone Berkeley LA, University of
California Press 325-326
Separated from Jonathan Crayford.
Travelled to Hawaii with Chelsie and Tui to present
a New Zealand film festival including Ruby and
Rata. Chelsie
and GP also travelled to the Giffoni Children’s
Film festival then to Florence and Britain to do casting
for Bread and Roses.
Ruby and Rata screened at the Cinemagic-Northern
Ireland International Film Festival for Young
People and at
the 2nd Junior Dublin Film Festival. Ruby and
Rata selected
for the 1991 Palm Springs Film Festival and the
American Film Institute Los Angeles International
Film Festival,
as well as for the Sydney and 40th Melbourne
Film Festivals which GP attended.
Directed Married.
Continued to research and develop War Stories.
Co-ordinator of oral history archive project
directed by Judith Fyfe for the Alexander Turnbull
Library,
on 20 Wellington women’s experience of World War II.
Project consultant Stuart McKenzie and Neil
Pardington’s
The Mouth and the Truth.
Presented New Zealand Film series in Hawaii.
Collaborated on Deborah Shepard’s thesis.REFERENCES
“
Cinemagic Programme” (1991) December 13.
“
Congratulations” (1991) NZfilm n42 February (back
page)
Connolly, K “Film Festival” (1991) The Sunday
Age 31 June 1
Dwyer, M “International Cinema for the Young” (1991)
The Irish Times 20 September np
“
The 2nd Junior Dublin Film Festival Programme” (1991)
7-18 October 5
“
The 1991 American Film Institute Los Angeles International
Film Festival (1991) np (GP’s own archive)
Walden, I “Women’s Films at the Festival-
A Review of the Sydney Film Festival” nd (GP’s
own archive) 32-34
Father, Edward Joseph, died end March.
Chelsie began school at Clyde Quay School Mount
Victoria.
Sold 20 Earls Terrace and moved to 59 Austin
Street.
Ruby and Rata recognised as the movie of the
month (September) and Video of the month (December).
Bread and Roses, the four-hour mini-series,
received $150,000 in Lottery Grants Board funding,
via
the 1993 Suffrage Centennial Year Trust. This
finalised
3.2
million funding. Began shooting in August.
Director/co-writer/associate producer Bread & Roses.
Consultant producer on Rachel Davies’ Sweetness.
War Stories Our Mothers Never Told Us evolved
from extensive research GP undertook for
her television
miniseries Bread
and Roses.
Dennis, J “Reflecting Reality; Gaylene Preston,
An Interview” (1992) Film in Aotearoa New Zealand
eds J Dennis and J Bieringa Wellington, Victoria University
Press 161-171 (illus) other references 17, 72, 115, 188-9,
230, 233, 234, 235
“
Filling the Frame” (1992) Evening Post 12 September
21
Fischer, P “Ruby and Rata” (1992) Preview
September 22
Fischer, P “Ruby and Rata” (1992) Video International
December 23
My Father and Me; New Zealand Women Remember
(1992) ed P Hansen Auckland, Tandem 34-38
Preston, G “Water the Roots” (1992) OnFilm
13:10, 21
Scown, J and Nissen, W Filling the Frame
(1992) Auckland, Reed 142-149
“
Sonja’s Story Filmed” (1992) Hutt News 15
December np
“
Stories Our Mothers Never Told Us” (1995) The Business
of Film-CineFin 25 May 18
Tui, GP’s mother moved in to 59 Austin Street.
Lived in the front room.
The four hour mini-series Bread and Roses
was the highlight of suffrage year drama
at the
celebrations marking
100 years of women’s suffrage.
GP awarded Suffrage Centennial Medal. Returned
it when Jim Bolger was awarded same on
the grounds that
he
had headed a government that had eroded
the position of women
more than any other of recent times.
Bread and Roses screened to sell-out film
audiences and enjoyed a successful cinema
release in
New Zealand. Screened
at the Brisbane Film Festival and Vancouver
Film Festival.
Bread and Roses selected to participate
in the 22nd Wellington Film Festival
9-24 July
Member of New Zealand Film Commission/
Queen Elizabeth II Arts Council Task
Force looking
into creative
training options
Consultant producer Queen Elizabeth II
Arts Council Creative Film Fund *?dates
“
Bread and Roses Find Their Rightful Home” (1993)
Networks September np
Cooke, P and Gosden, B “22nd Wellington Film Festival
Certificate” (1993) July (GP’s own archive)
Graham, S “Strong Coverage for Suffrage year” (1992)
20 November
np (GP’s own archive)
The Edge Series 1 Programme 21 (Anna Cottrell review
of Bread & Roses) NZFA Ref: F20992
The Making of Bread & Roses (1993) dir Barbara Cairns
(Nautilus Productions: screened eTV TV1 24 June 1994,
distrib Learning Media) NZFA Ref: F22447
Bought property in East Takaka, Golden Bay, with Steve
Brazier and Andy Dennis.
Genevieve Picot won awards for both the best performance
in a feature film, Bread and Roses, and the best performance
in a television series at the New Zealand Film Festival.
Bread and Roses screened at the 43rd Melbourne Film Festival.
Executive Member New Zealand Producers and Directors
Guild.
Spoke at conference on women’s film in New Zealand,
Auckland (to coincide with ALTER/IMAGE).
Spoke on “New Technologies: Their Impact on International
Film and TV” at the Sociology Conference - “Redrawing
the Maps: The Plural Society and its Futures”.
Book made in conjunction with the film War Stories
Our Mothers Never Told Us.
Cairns, B and Martin, H Shadows On the Wall; A Study
of Seven New Zealand Feature Films (1994) Auckland,
Longman Paul (features Ruby & Rata)
Gaylene Preston Curriculum Vitae [“C”] 1994
“
Film and Book” (1996) Daily Telegraph Mirror 22
February np
Larson, V “Working Girls” (1994) North & South
(July) 12-13
Navachitta “Pushing Back The Boundaries; A Portrait
of New Zealand Film-Maker Gaylene Preston” (1994)
Dakini 14: winter 17
Peters, G Bread & Roses: Commercial Television and “Everywoman” (1994)
MA Thesis University of Auckland
“
The 43rd Melbourne International Film Festival programme” (1994)
June 12
Weiniger, P “Double Bouquet for a Single ‘Rose’ Role” (1994)
The Age 102
[“Interview With Gaylene Preston on Bread & Roses?” (1994)
Cinema Papers New Zealand Supplement] 97-98 March np]
War Stories Our Mothers Never Told Us chosen as the
best film at the New Zealand Film and Television
Awards.
Ruby and Rata screened under the ‘Benefit for the
Older Women’s League of Illinois’ at the
Silver Images Film Festival
War Stories Our Mothers Never Told Us premiered in
official selection at the Venice, Montreal, Vancouver,
London,
Seattle and Toronto Film Festivals, and screened
at over a dozen other film festivals. GP travelled
to
Cannes,
Venice and Seattle supporting screenings.
War Stories Our Mothers Never Told Us voted most
popular feature film and best documentary at the
1995 Sydney
Film Festival and was number two for the people’s
choice award at the Melbourne Film Festival
War Stories Our Mothers Never Told Us selected and
screened at the Seattle Film Festival, 18 May
Absent Friends television commercial for Land Transport
Safety Authority, Saatchi & Saatchi/Flying Fish (won
Gold Axis Award 1996 – NZ and Silver Clio 1997)
Burns, J “Gaylene Preston: Finding the Extraordinary
in the Ordinary” (1995) New Zealand Monthly Review
(June/July) 350 16-17
Clark, L “Stories of War From the Heart” (1996)
Daily Telegraph Mirror 22 February np
Dennis, J Gaylene Preston and “War Stories Our
Mothers Never Told Us (1995) Broadcast on Concert FM
6 & 8 May NZFA Ref: A0187
Dixon, G “Television” (1996) The New Zealand
Herald 24 April np
“
Film and Book” (1996) Daily Telegraph Mirror 22
February np
Finnegan, A “Wellington’s Movie Potential
Should Be Boon For Economy” (1995) Evening Post
31 July 7
Fyfe, J War Stories (1995) Auckland, Penguin
Heenan, C “Women Tell Their War Srories at Film
Festival” (1995) Otago Daily Times 28 July np
Herrick, L “Awards Fix Up Glitch” (1995)
Sunday Times 4 June np
Houlahan, M “On the Home Front – Women Recall
the War” (1995) Evening Post 13 May 9-10
Johnson, S “Through Women’s Eyes” (1995)
Quote Unquote (June) 24 14-17
Directions, Series Thirteen (c1995) Neville Glasgow interview
with Gaylene Preston. Wellington, Radio New Zealand Replay
Radio [sound recording]
Mahy, B “War Secrets” (1995) Pavement (June/July)
11 16
“
Silver Images Film Festival Programme” (1995) (GP’s
own archive)
“
Submission Productions Present a Melva Hamilton Film:
The Perpetual Dawning of New Zealand Film” [featuring
GP as director] (?1995) Planet 16 68-69
Chair New Zealand Film and Television Awards Society
(-1999)
War Stories Our Mothers Never Told Us screened at the
prestigious Sundance Film festival, Utah, and was honoured
with an American Film Archive Charity Premiere in Los
Angeles in February. The first time a New Zealand film
had been selected for the annual event. Hosted by the
Friends of the Archive and the new Zealand consulate.
Attended by six of the women including Tui and GP, accompanied
by Chelsie.
War Stories Our Mothers Never Told Us – prize winner
at the Sydney Film Festival.
Gaylene Preston presented her film, War Stories Our Mothers
Never Told Us. at a special Wift screening, 18 February
1996, at the Chauvel Cinema, Paddington
War Stories Our Mothers Never Told Us Washington Premiere,
15-21 March, 1996.
Director/producer Hone Tuwhare/ aka No Other Lips
An Evening With Gaylene Preston (1996) NZFA Ref: F41861
Beattie, K “ ‘First Say and Last Cut’:
A Conversation With Gaylene Preston” (1996) New
Zealand Journal of Media Studies 3:1 4-16
“
Briefs-Film Chosen” (1996) Sunday Star Times 21
January np
Dennis, J Voices On Film #7; 1996 Centenary of Cinema
(1996) Radio New Zealand programme NZFA Ref: A0115
Dixon, G “Television” (1996) The New Zealand
Herald 24 April np
Preston, G Showreel (1996) NZFA Ref: F50168
“
War Stories-Gaylene Preston” (1996) Wift-NSW Newsletter
February/March 1
Cast brother Edward in Parallel Paths.
Director Parallel Paths – 3 television commercials
for the Land Transport Safety Authority Saatchi & Saatchi/
Flying Fish (winner Silver Mobius – Outstanding
Creativity for Direction – United States).
Scripting Ophelia. Casting Ophelia, Travelled to London
to supervise casting sessions with John Hubbard.
Martin H and Edwards, S New Zealand Film 1912-1996 (1997)
Auckland, Oxford University Press (features Mr Wrong
118, Ruby & Rata 149, Bread & Roses 169, War
Stories 181)
Producer/director Survivor Stories
Ophelia development reluctantly abandoned.
BACKCHAT Series 1 Episode 17: New Zealand Critics Being
Too Hard on New Zealand Films (1998) NZFA Ref: F37794
BACKCHAT Series 1 Episode 19: An Item On New Zealand
Film Making Industry in Crisis (1998) NZFA Ref: F37803
Marno, L Stubborn Passions; An Interrogation of the
Gender Imbalance in the New Zealand feature Film Industry
(1998)
M. A. Thesis University of Auckland
Member international jury for Dendy Award, Sydney Film
Festival.
Travelled to New York, Boston and London to supervise
the dramatic re-enactments of Punitive Damage. Punitive
Damage finalist in AFTAS.
Producer Punitive Damage
Producer/Co-Director Getting To Our Place
Consultant Campaign dir. Tony Sutorius (NZFA Ref: F41805)REFERENCES
Asia Dynamic (1999) 27 November (Discussion of Asian
influences on New Zealand film) NZFA Ref: F43318
BACKCHAT: Series 2 Episode 11: Interview with Gaylene
Preston (1999) Gibson Group NZFA Ref: F41454
Preston, G Showreel (1999) June NZFA Ref: F43100
Joined the board of New Zealand On Air.
Chelsie attends Wellington East Girls College.
Began making Titless Wonders with dancer Jan Bolwell.
Writing/casting A Little Love (became Perfect Strangers).
BACKCHAT Series 3 Episode 12 Comments from Gaylene Preston
(2000) NZFA Ref: F46572
New Zealand Film Archive FEAR exhibition, Gaylene Preston
interview (2000) video interview, 52 minutes NZFA Ref:
F45654
Shephard, D Reframing Women; Gaylene Preston Interview
(2000) audiotape NZFA Ref: AO619
Attended Joan Scheckel creative development lab in Los
Angeles.
GP made New Zealand’s first film maker laureate
of the New Zealand Arts Foundation (see “Lauri-hat” (2002)
Applause July 1 and “Gaylene Preston” (2002)
Applause July 5).
Titless Wonders wins NZ Media Peace Award Premiere Prize.
Mr Wrong included in the Film Commission’s “Celebrating
21 Years of New Zealand Cinema”, screened around
New Zealand
Producer/director Titless Wonders.
Wahine Requiem – semi-permanent cinema installation
for Maritime Museum of Wellington, City and Sea.
Writing A Little Love (Perfect Strangers).
Cardy, T “Cutting To The Chase” (2001) Evening
Post 12 July 19-20
Nealon, S “Directed By: Gaylene Preston (2001)
15 October 22
Bought 57 Austin Street.
Appointed Officer of the New Zealand Order of Merit for
services to film making.
Producer Coffee Tea or Me?
Shooting/editing Perfect Strangers.
? Travelled to American Film Market with Film Commission
group (**ref: “Kiwi Films Aim To Ride In On Rings” ?Dominion
nd np & Calder “ ‘Perfect Project’…”(GP
archives))
Assignment: FilmNZ (2002) (TVNZ investigative report
into the state of the New Zealand film industry) NZFA
Ref: F55554
“
Film-makers Top Honours List” (2002) Press nd np
(GP archives)
“
Those Who Made a Difference” (2002) North & South
190 (January) 60-64
Tui moved to Kilmarnock Home, then Alexandra Home.
Writer/director/producer Perfect Strangers. Post-production
completed August. Released by 20th century Fox Australia
in October – GP present. Travelled to London
Film Festival.
Chelsie attends Wellington High School.
Executive producer Lands of our Fathers.
Development Eureka: A True Story.
New Zealand release Perfect Strangers.
Travelled to Los Angeles/New York for event screenings
Perfect Strangers; and to Paris, Italy, Brussels and
London/ Los Angeles to support festival screenings.
Knight, K “Home and Away” (2004) Sunday Star
Times 11 January Sup. 4-5
Packer, A “How We Met” (2004) Dominion Post
5 February D2
“
Vintage Bollinger” (2004) Onfilm February 12-14
http://www.artsfoundation.org.nz/gaylene.html
http://www.nzfilm.co.nz/search.php?submit=1&last_name=Preston&first_name=Gaylene
http://www.adventuredivas.com/divas/article.view?page=253
http://www.pbs.org/adventuredivas/nz/divas/preston.html
http://www.perfectstrangersthemovie.com/bios_preston.html
http://www.sdgnz.co.nz/IViews/G_Preston.html
http://pssm.ssc.govt.nz/1999/speakers/gpreston.asp
1) I = Screen Plays
2) II = Key References/Reviews
3) II(a) = Key References
4) III = Correspondence
5) IV = Photos
6) V = Ephemera
7) VI = Publicity
8) VII = Duplicates I - Screen Plays
1) I.25.1
2) I.25.2
3) I.25.3
4) I.25.4
5) I.25.5
6) I.25.6
7) I.25.7
8) I.25.8
9) I.25.9
10) I.25.10
11) I.25.11
12) I.25.12
13) I.25.13
14) I.25.14
15) I.25.15
16) I.25.16
17) I.26.1
18) I.26.2 II - Key References/Reviews
1) II.0.1 Ophelia
2) II.9.1 (1979) All The Way Up There
3) II.10.1 (1981) Learning Fast
4) II.11.1 (1981) Hold Up
5) II.13.1 (1981-83) Patu!
6) II.15.1 (1982) Making Utu
7) II.21.1 (1984) Mr Wrong/Dark Of The Night (U.S.
title)
8) II.21.2 (1984) Mr Wrong/Dark Of The Night (U.S.
title)
9) II.21.3 (1984) Mr Wrong/Dark Of The Night (U.S.
title)
10) II.23.1 (1990) Ruby and Rata
11) II.23.2 (1990) Ruby and Rata
12) II.23.3 (1990) Ruby and Rata
13) II.25.1 (1992) Bread and Roses
14) II.26.1 (1995) War Stories Our Mothers Never Told
Us
15) II.26.2 (1995) War Stories Our Mothers Never Told
Us
16) II.26.3 (1995) War Stories Our Mothers Never Told
Us
17) II.26.4 (1995) War Stories Our Mothers Never Told
Us
18) II.26.5 (1995) War Stories Our Mothers Never Told
Us
19) II.26.6 (1995) War Stories Our Mothers Never Told
Us
20) II.26.7 (1995) War Stories Our Mothers Never Told
Us
21) II.27.1 (1996) No Other Lips
22) II.28.1 (2003) Perfect Strangers
23) II.21.0 (1984) Mr Wrong Scrapbook (GP’s own
archive)
24) II.26.0 (1995) War Stories (GP’s own archive)
II (a) - Key References
II (a) Miscellaneous
(1) II(a) MISC.1 –Autobiographical: CVs, Interviews
(2) II(a) MISC.2 –Chelsie Preston-Crayford
(3) II(a) MISC.3 –Website/ Re-release
(4) II(a) MISC.4 –Te Puna Search
(5) II(a) MISC.5 –NZFA printouts (incomplete)
(6) II(a) MISC.6 –NZ ON Air
(7) II(a) MISC 7 –Newspaper clippings – GP’s
childhood
II (a) Pre-production
(8) II(a).25.1 -Bread and Roses Research
(9) II(a).25.2 -Bread and Roses Research (uniforms)
(10) II(a).25.3 -Bread and Roses Contracts/Agreements/Funding
Applications
(11) II(a).25.4 -Bread and Roses Production Budgets/Salaries
II (a) Production
(12) II(a).21.1 –Mr Wrong Cast/Crew Lists
(13) II(a).23.1 –Ruby and Rata Cast/Crew Lists
(14) II(a).25.5 –Bread and Roses Cast/Crew Lists
(15) II(a).25.6 –Bread and Roses (GP’s
handwritten notes)
(16) II(a).25.7 –Bread and Roses (notes for episodes)
(17) II(a).25.8 –Bread and Roses Synopsis
(18) II(a).26.1 –War Stories Production Information
II(a) Post Production
(19) II(a).21.2 –Mr Wrong Press Kit
(20) II(a).21.3 –Mr Wrong Study Kit
(21) II(a).22.1 – Kai Purakau Notes for GP
(22) II(a).23.2 –Ruby and Rata Press Kit
(23) II(a).25.11 –Bread and Roses Music Licences
(24) II(a).25.12 –Bread and Roses Press Kits
(25) II(a).25.13 –Bread and Roses Press Release & Press
Kits
(26) II(a).26.2 –War Stories Press Kit & Australian
Study Kits
(27) II(a).26.3 –War Stories Distribution/Marketing Notes & Strategy
for Theatrical Release
(28) II(a).26.4 –War Stories ‘Book’
III- Correspondence
III.9.1 -All The Way Up There (2 items)
III.11.1 -Hold Up (5 items)
III.15.1 -Making Utu (6 items)
III.21.1 -Mr Wrong/Dark of the Night (U.S. title) (26
items)
III.22.1 -Kai Purakau/The Story Teller (7 items)
III.23.1 -Ruby and Rata (25 items)
III.24.1 -Married (1 item)
III.25.1 -Bread and Roses (46 items)
III.25.2 -Bread and Roses (36 items)
III.25.3 -Bread and Roses (36 items)
III.25.4 -Bread and Roses (57 items)
III.27.1 -Hone Tuwhare/ aka No Other Lips (1 item)
III.26.1 -War Stories (20 items)
III.28.1 – Survivor Stories (labelled “Earthquake”; approx
items including budgets, correspondence, publicity, tape of Terry Crayford
music etc etc)
III.29.1-Punitive Damage (1 item)
III.Misc.1 -Miscellaneous correspondence (24 items)
III.Misc.2 -Miscellaneous correspondence (48 items)-cards and postcards
III.Misc.3 -Miscellaneous correspondence (1 item)-Work directory IV - Photographs
1)
IV. misc.1
2) IV.9,10,11,14,15,16,19,21.1
3) IV.9,10,11,14,15,16,19,21.2
4) IV.21.3
5) IV.23.1
6) IV.25.1
7) IV.26.1
8) IV.26.2
V –Ephemera
V. (misc) 1
V.9,10,11,14,15,16,19,21.1
V.9.10.11.14.15.16.19.21.2
V21.3
V.23.1
V.25.1
V.26.1
V.26.2VI - Publicity
VI.9.1 (1979) All The way Up There
VI.10.1 (1981) Learning Fast
VI.11.1 (1981) Hold Up
VI.13.1 (1981-83) Patu!
VI.15.1 (1982) Making Patu
VI.21.1 (1984) Mr Wrong/Dark Of The Night (U.S. title)
VI.23.1 (1990) Ruby and Rata
VI.23.2 (1990) Ruby and Rata
VI.25.1 (1992) Bread and Roses
VI.26.1 (1995) War Stories Our Mothers Never Told Us
VI.26.2 (1995) War Stories Our Mothers Never Told Us
VI.26.3 (1995) War Stories Our Mothers Never Told Us
VI.26.4 (1995) War Stories Our Mothers Never Told Us
VI.26.5 (1995) War Stories Our Mothers Never Told Us
VI. 32 (2001) Titless Wonders
VI. 34. 1 (2001-2004) Perfect Strangers
VII. Duplicates
(1)- (20) VII. MISC.1 – VII. MISC.23
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